If you haven't seen it:
Christmas in Connecticut stars Barbara Stanwyck as Elizabeth Lane, a famous journalist who is living a lie.
In her magazine columns Elizabeth paints a vivid picture of her life as a hard
working cook, wife, and mother, on an idyllic Connecticut farm. In
truth however, she is a single woman living in a New York apartment who
cannot cook. When her employer decides that it would make a good story for
a war hero and shipwreck survivor to spend Christmas with her, it seems
her secret is about to come out.
This is a light-hearted comedy,
with some witty lines, and moments of screwball and gentle farce. It
is well paced and does not over-play its hand. It is not as sentimental
as some of the other classic Christmas movies, which is why it is not as
well loved, but if you are looking for something a bit different this
year, something nostalgic and easy on the eye, then you might want to
consider giving this one a try.
If you have seen it:
Scroll down past the adverts and the trailer for more.

An awkward moment as the sailor for Samantha Jones's
fantasy arrives in Jefferson Jones's fantasy by mistake
When a German U-boat torpedoes an American destroyer, two of the
survivors, Jones and Sinkiewicz, find themselves lost at sea for 18
days before being rescued. While recovering in hospital, on a
liquids-only diet, Jones becomes a fan of a magazine columnist called
Elizabeth Lane, "America's Best Cook", who writes about her life on a
Connecticut farm as a working mother. By coincidence, Jones's nurse in
the hospital knows the magazine's owner, Mr Yardley. She calls in a
favour and arranges for Jones to be invited to Elizabeth's farm for
Christmas.
In truth however, Elizabeth Lane is a fraud. She is a
single woman living in New York. She cannot even cook - it is her
friend Felix, a top Manhattan restauranteur, who provides the recipes
for the column. When Elizabeth finds she is about to be exposed, she
accepts a marriage proposal from an old friend John, who does in fact
own a Connecticut farm, and they decide to try to fool the sailor (and
Yardley, who has invited himself along too) into believing the fantasy.
The original plan was for Elizabeth and John to be married before the guests arrive, but Jones arrives early, and the ceremony has to be postponed.

Elbow hygiene was very important in the 1940s
As soon as Elizabeth meets Jones, she is attracted to him, and realizes
she does not want to marry John after all. However, of course, Jones believes that Elizabeth
and John are already married, and he is not the type of man who is
interested in married women. Over the next few days, awkward situations
arise involving babies borrowed from neighbours, flapjacks, a cow, the
increasing attraction between Elizabeth and Jones, and an inconvenienced
judge who's attempts to perform a marriage ceremony are constantly
thwarted.
The charade eventually falls apart when Yardley sees the baby being carried off by his real mother, and, assuming it is a kidnapping, calls the police. Elizabeth confesses all, quits her job, and she and Jones are married.
I enjoyed Christmas in Connecticut a lot. It's undemanding fun, and the sets look great - enormous fireplaces, spectacular Christmas trees, winter wonderlands, horse-drawn sleighs - really Christmassy. And the food! The only thing I have watched this Christmas with more food in it was the Gordon Ramsay festive special. I think it is fair to say that if I had to choose a movie to spend Christmas in, this would be the one.

Slowly, it dawned on her - she had misunderstood
his request for "help with the high notes."
It is not your typical festive feelgood movie though. The main
characters of Christmas in Connecticut are not especially likeable.
Over the course of the 102 minutes we see lying, betrayal, vehicle
theft, bullying, shockingly bad childcare arrangements, and not just one
but two totally inappropriate nurse/patient relationships. I did not
mind the lack of sentiment particularly. I am pretty confident that by
now, I really do know the true meaning of Christmas, and I do not object
if the occasional Christmas movie fails to remind me of it.
Despite
the dubious behaviour, most characters do get a happy ending. Poor John
is the exception, he gets dumped. I have to say though, I have my
doubts about John's motives. He is very neat and tidy isn't he, and is
it my imagination or is he also a little camp? And did you notice how
excited he got when it was first mentioned that a sailor was coming to
stay? In any case we are not supposed to care about John because he is
an architect, and architects were boring in 1945 (apparently).
Apart
from John though, it is a happy ending for just about everyone. I
cannot help but think though, that when the honeymoon period is over,
Jones will slowly realise the implications of the fact that he has spend the rest of his life, not on a beautiful
farm with America's best cook, but in a tiny apartment with an
unemployed shopaholic who cannot boil an egg.
One last note - it
was nice to see an intelligent and well-spoken black man early on in
Christmas in Connecticut, especially after all the negative portrayals I
have seen in other old movies I have watched recently. I suspect that
at the time, his eloquence might have been intended to be ironic, but
even so, it was a step in the right direction.

Christmas Eavesdroppers
Christmas in Connecticut was remade in 1992, directed by Arnold Schwarzenegger (really - feel free to look it up if you don't believe me). It starred Dyan Cannon, Kris Kristofferson, and Tony Curtis. It was not a success. Perhaps it would have been more popular if Arnie had incorporated a few of the things that had proved so popular in his own movies.
Here are the top ten changes that Arnie should have included in his remake:
Barbara Stanwyck as Elizabeth Lane
Dennis Morgan as Jefferson Jones
Sydney Greenstreet as Alexander Yardley
Reginald Gardiner as John Sloan
S.Z. Sakall as Felix Bassenak
directed by Peter Godfrey
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